Scenic Art
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Cambodian Rock Band by Lauren Yee
Scenic Art Fellowship
PHOTOS BY LYNN LANE/BERKELEY REPERTORY THEATRE
PHOTOS BY LYNN LANE/BERKELEY REPERTORY THEATRE
In-process photo of the moldy wood of one of the floor traps.
PHOTOS BY LYNN LANE/BERKELEY REPERTORY THEATRE
Co-Production between Berkeley Repertory Theatre, Signature Theatre, The Alley Theatre, ACT Theatre/5th Avenue, and Center Theatre Group.
Scenic Designer: Takeshi Kata
Scenic Charge: Lisa Lázár
Director: Chay Yew
Light Designer: David Weiner
Costume Designer: Linda Cho
Images: Lynn Layne, Muriel Steinke, Chay Yew
Responsible for creating and executing the technique and colors for the linoleum floor, executing the technique and textures on the large wall. Responsible for touch-ups on signs, in addition to the lettering and color mixing of the Rambo sign. Responsible for the creation of technique and touch-up kit.
Clyde's by Lynn Nottage
Scenic Art Fellowship
Photo by Ken Berns.
PHOTOS BY KEVIN BERNE/BERKELEY REPERTORY THEATRE AND MURIEL STEINKE/BERKELEY REPERTORY THEATRE
In process of the stencil for B-B-Q ghost sign.
Photo by Ken Berns.
Co-production between Berkeley Repertory Theatre and The Huntington Theatre.
Scenic Designer: Wilson Chin
Scenic Charge: Lisa Lázár
Director: Taylor Reynolds
Light Designer: Amith Chandrashaker
Costume Designer: Karen Perry
Images: Kenzie Bradley, Kevin Berne
Responsible for color mixing and matching the elevation on the CLYDE’S sign, as well as the creation and execution of treatment on the B-B-Q ghost sign. Responsible for the execution of treatment on the sign’s plexiglass elements, as well as all textural elements on the doors, walls, and window frames. Responsible for the color mixing and placement of most dirt and grime on the walls, floor, doors, and props.
English by Sanaz Toossi
Scenic Art Fellowship
PHOTOS BY ALESSANDRA MELLO/BERKELEY REPERTORY THEATRE
PHOTOS BY ALESSANDRA MELLO/BERKELEY REPERTORY THEATRE
Process photo of popcorn ceiling texture.
PHOTOS BY ALESSANDRA MELLO/BERKELEY REPERTORY THEATRE
Performed in the Peets Theater at Berkeley Repertory Theatre.
Scenic Designer: Annie Smart
Scenic Charge: Lisa Lazar
Director: Mina Morita
Light Designer: Reza Behjat
Costume Designer: Shahrzad Mazaheri
Images: Kenzie Bradley, Berkeley Rep
Responsible for the carving and creation of the bricks, the technique and colors for all concrete/cement, execution of the floor treatment, execution of railing treatment and popcorn ceiling treatment/textures.
Clue by Sandy Rustin & Jonathan Lynn
Scenic Artist
Performed at the San Francisco Playhouse.
Scenic Designer: Heather Kenyon
Scenic Charge: Cayla Ray-Perry
Director: Susi Damilano
Light Designer: Derek Duarte
Costume Designer: Alice Ruiz
Images: Muriel Steinke
Part of a three-person team. Responsible for the execution of the wood grain treatment on lauan, steel, plastic, and plywood; leading the wallpaper stenciling, and executing the floor treatment. Responsible for teaching unskilled labor on project.
King Lear by William Shakespeare
Scenic Artist
A scene from the Utah Shakespeare Festival’s 2022 production of King Lear. (Photo by Karl Hugh. Copyright Utah Shakespeare Festival 2022.)
A scene from the Utah Shakespeare Festival’s 2022 production of King Lear. (Photo by Karl Hugh. Copyright Utah Shakespeare Festival 2022.)
Completed gold paneling.
A scene from the Utah Shakespeare Festival’s 2022 production of King Lear. (Photo by Karl Hugh. Copyright Utah Shakespeare Festival 2022.)
Performed at the outdoor Engelstad Shakespeare Theatre at the Utah Shakespeare Festival.
Scenic Designer: Linda Buchanan
Scenic Charge: Rebekka Richter
Director: Vincent J. Cardinal
Light Designer: Stephen C. Jones
Costume Designer: Michiko Kitayama Skinner
Images: Kenzie Bradley, Rebecca Conway
Responsible for executing a complete repaint of the Engelstad Theatre and stone treatment on the floor, assisting with the treatment and execution of the gold panels as well as the staircase, large faux wooden columns, and Lear's desk.
Sweeney Todd by Stephen Sondheim
Scenic Artist
A scene from the Utah Shakespeare Festival’s 2022 production of Sweeney Todd. (Photo by Karl Hugh. Copyright Utah Shakespeare Festival 2022.)
A scene from the Utah Shakespeare Festival’s 2022 production of Sweeney Todd. (Photo by Karl Hugh. Copyright Utah Shakespeare Festival 2022.)
Completed pie shop table.
A scene from the Utah Shakespeare Festival’s 2022 production of Sweeney Todd. (Photo by Karl Hugh. Copyright Utah Shakespeare Festival 2022.)
Performed at the outdoor Engelstad Shakespeare Theatre at the Utah Shakespeare Festival.
Scenic Designer: Linda Buchanan
Scenic Charge: Rebekka Richter
Director: Brad Caroll
Light Designer: Stephen C. Jones
Costume Designer: Bill Black
Images: Kenzie Bradley, Annika Radovcich
Responsible for executing a complete repaint of the Engelstad Theatre and stone treatment on the floor, the brick treatment used on the oven and trap walls, the rusted staircases, executing faux glass treatment and slicing to create broken windows. Assisted in the execution of the archway and bridge over pie shop.
All's Well That Ends Well by William Shakespeare
Scenic Artist
A scene from the Utah Shakespeare Festival’s 2022 production of All’s Well That Ends Well. (Photo by Karl Hugh. Copyright Utah Shakespeare Festival 2022.)
A scene from the Utah Shakespeare Festival’s 2022 production of All’s Well That Ends Well. (Photo by Karl Hugh. Copyright Utah Shakespeare Festival 2022.)
In-process rusted staircase.
A scene from the Utah Shakespeare Festival’s 2022 production of All’s Well That Ends Well. (Photo by Karl Hugh. Copyright Utah Shakespeare Festival 2022.)
Performed at the outdoor Engelstad Shakespeare Theatre at the Utah Shakespeare Festival.
Scenic Designer: Linda Buchanan
Scenic Charge: Rebekka Richter
Director: Melinda Pfundstein
Light Designer: Stephen C. Jones
Costume Designer: Lauren T. Roark
Images: Kenzie Bradley, Annika Radovcich
Responsible for executing a complete repaint of the Engelstad Theatre and stone treatment on the floor, treatment on the worn panels and poster distressing/some signage, blue walls and gold appliqué.
Curtains: A Musical Whodunnit by Holmes, Kander and Ebb
Assistant Charge Artist
Featuring the cast of Curtains.
Featuring the cast of Curtains.
Featuring the cast of Curtains.
Performed in the Topper Theatre at Villanova University.
Scenic Designer: Colin McIlvaine
Scenic Charge: Sharri Jerue
Director: Rev. Peter Donohue, OSA, PhD
Light Designer: Jerold R Forsyth
Costume Designer: Janus Stefanowicz
Images: Kenzie Bradley, Paola Nogueras
Responsible for executing as well as teaching faux finishes to work-study assistants and completing touch-ups. Took charge on all portals, Kansasland flats, and steamboat. Assisted on the creation of the staircase treatment, painted floor finishes, and Fort Henderson flats.
Ragtime by Terrence McNally
Scenic Artist
A scene from the Utah Shakespeare Festival’s 2021 production of Ragtime. (Photo by Karl Hugh. Copyright Utah Shakespeare Festival 2021.)
A scene from the Utah Shakespeare Festival’s 2021 production of Ragtime. (Photo by Karl Hugh. Copyright Utah Shakespeare Festival 2021.)
A scene from the Utah Shakespeare Festival’s 2021 production of Ragtime. (Photo by Karl Hugh. Copyright Utah Shakespeare Festival 2021.)
Performed in the Randall L. Jones Theatre at Utah Shakespeare Festival.
Scenic Designer: Jo Winiarski
Scenic Charge: Mark Jensen
Director: Brian Vaughn
Light Designer: William C. Kirkham
Costume Designer: Bill Black
Images: Utah Shakespeare Festival, Amanda McMall
Responsible for replication of colors via recipe, painting textured wood grain onto vertical walls and creating cast iron-like texture onto large piano pieces/back wall, responsible for the execution of Nesbit's swing and the metal stairwell.
Scenic Artist
Pirates of Penzance by William Gilbert and Arthur Sullivan
A scene from the Utah Shakespeare Festival’s 2021 production of The Pirates of Penzance. (Photo by Karl Hugh. Copyright Utah Shakespeare Festival 2021.)
A scene from the Utah Shakespeare Festival’s 2021 production of The Pirates of Penzance. (Photo by Karl Hugh. Copyright Utah Shakespeare Festival 2021.)
A scene from the Utah Shakespeare Festival’s 2021 production of The Pirates of Penzance. (Photo by Karl Hugh. Copyright Utah Shakespeare Festival 2021.)
Performed in the Randall L. Jones Theatre at Utah Shakespeare Festival.
Scenic Designer: Jo Winiarski
Scenic Charge: Mark Jensen
Director: Cassie Abate
Light Designer: William C. Kirkham
Costume Designer: Bill Black
Images: Utah Shakespeare Festival, Amanda McMall
Responsible for the execution of the wave deck and the waves on the end of the deck, responsible for the foam carving and textured creation of the rock steps, creation of the textured wood and boxes on the portals, and the spraying and texturing of the sails and masts.
The Revolutionists by Lauren Gunderson
Scenic Charge Artist
Featuring Ali Scaramella Baker and Sarah Stryker.
Featuring Veshonte Brown and Sarah Stryker.
Featuring Ali Scaramella Baker and Sarah Stryker.
Performed in the Court Theatre at Villanova University.
Scenic Designer: Marie Laster
Director: Dr. Valerie Joyce
Light Designer: Jerold R Forsyth
Costume Designer: Janus Stefanowicz
Images: Kenzie Bradley, Kimberly Reilly Damn
Responsible for creating all samples, color mixing and matching to the elevations, excecuting as well as teaching faux finishes to work-study assistants, and completing touch-ups.
Heart's Desire by Caryl Churchill
Scenic Charge Artist
Featuring Luke Davis, Chelsea Drumel, and Ali Baker.
Featuring Luke Davis, Chelsea Drumel and Justin Badoyen.
Final parquet plates
Featuring Luke Davis, Chelsea Drumel, and Ali Baker.
Performed in the Smith Lab at Villanova University.
Scenic Designer: Janos Boon
Director: Kenzie Bradley
Light Designer: Matt Specht
Costume Designer: Erin Coffman
Images: Alison Pascale
The sole painter on this project, responsible for all samples, paint treatments, execution of parquet process and sponge wall treatment on a strict deadline. Also responsible for all touch-ups and install.
This production was awarded "passing with distinction" by Villanova University.
White by James Ijames
Scenic Artist
Featuring Sarah Stryker.
Featuring Paul Gorazcko and Sheldon Shaw.
Featuring Sarah Stryker.
Performed in the Court Theatre at Villanova University.
Scenic Designer: Parris Bradley
Scenic Charge: Sharri Jerue
Director: James Ijames
Light Designer: Jerold R Forsyth
Costume Designer: Alycia Gonzalez
Images: Kenzie Bradley, Kimberly Reilly Damn
Responsible for all color mixing and matching to elevations, executing as well as teaching faux finishes to work-study assistants, leading unskilled labor on paint nights, creating and executing sprays via a Hudson sprayer, painting at height, and completing touch-up notes.
Slaphappy: A COVID-Era Commedia by Valerie Joyce
Scenic Artist
Featuring Cristy Chory and Nic Ecker.
Featuring Erin Coffman and Anna Sorrentino.
Featuring Cristy Chory and Nic Ecker.
Filmed at Villanova University in the Topper Theatre and the Court Theatre.
Scenic Designer: Colin McIlvaine
Scenic Charge: Sharri Jerue
Director: Dr. Valerie Joyce
Light Designer: Jerold R. Forsyth
Costume Designer: Janus Stefanowicz
Images: Hezekiah Lewis
Responsible for executing paint elevations on all of the periyaktoi, creating a geometric system to create the diamonds, and responsible for the layout, color mixing, and execution of the large Greek pantheon building.
The Scar Test by Hannah Khalil
Scenic Artist
Featuring Sharese Salters and Anna Sorrentino.
Featuring JBean Schwab.
Featuring Sharese Salters and Anna Sorrentino.
Filmed at Villanova University's Court Theatre.
Scenic Designer: Stefanie Hansen
Scenic Charge: Sharri Jerue
Director: Claire Moyer
Light Designer: Jerold R. Forsyth
Costume Designer: Janus Stefanowicz
Images: Michael Long
Responsible for executing the complete floor treatment on masonite and teaching the skills to work-study assistants, creating joint compound mixtures for the walls, and color mixing the windows and doors.
Ballet Russes by Bernard Myers
Co-Scenic Charge Artist
Featuring Cole Hanlin and Wyatt Spivey.
Featuring Wyatt Spivey, Priya Hemphill, and Lillie Hoates.
Performed at the Georgia College Blackbox Theatre.
Scenic Designer: Laura Swarner
Scenic Charges: Kenzie Bradley, Julia Whitten
Director: Dr. Karen Berman
Light Designer: Bradley Benton
Costume Designer: Matt Riley
Images: Mike Crews
Responsible for the samples and execution of the floor treatment from paint elevations, responsible for starching and spraying the muslin flats, the execution of filling the padded walls with stuffing and securing them, and responsible for all moulding creation.
Barbecue by Robert O'Hara
Scenic Charge Artist
Featuring Cindora Tillman and Raegan Thornton.
Featuring Cindora Tillman and Raegan Thornton.
Featuring Ben Stokes.
Featuring Cindora Tillman and Raegan Thornton.
Performed at Georgia College's Russell Auditorium.
Scenic Designer: Isaac Ramsey
Scenic Charge: Kenzie Bradley
Director: Valeka J. Holt
Light Designer: Ashleigh Higgs
Costume Designer: Eric Griffis, Cathleen O'Neal
Images: Mike Crews
Responsible for all samples and color mixing, the texture on the benches and overhead house, created the carving on the posts and laying the grass/tinting it to look dead, responsible for all playground textures and work on metal.
Crowns: The Musical by Regina Taylor
Scenic Artist
Featuring Lindsey Kellogg.
