Projects + Murals
Click on galleries to enlarge them.
Completed drop.
Completed drop.
Sharpied image of pounce.
Completed drop.
Reproduction of Hokusai's print, The Great Wave off Kanagawa.
Painted on 7x5' muslin, reproduced using gridding and pouncing.
Finished panel (one of four).
Close-up of panel.
Leading on panel.
Finished panel (one of four).
Four faux stained glass panels for Broadway At Music Circus' The Music Man.
Designer: Ian Wallace
Painted on plexiglass using crystal gel and dharma dyes.
Final image.
Final image.
Process photo.
Final image.
Distressed Pittsburgh Steelers poster, done by hand via gridding.
Painted on a 3x4 feet piece of masonite.
Final floor.
Production photo from Beautiful: The Carole King Musical at Broadway At Music Circus. Photos by Kevin Graft/Broadway Sacramento.
Process photo.
Final floor.
Completed floor with a team of five people over the course of 18 hours for Broadway At Music Circus’ Beautiful: The Carole King Musical.
Designer: Ian Wallace
Scenic Charge: Stirling Brenna
Final product -- and me!
Final product, featuring elevation by Wilson Chin.
Process photo of rust (featuring crackled paint texture)
Final product -- and me!
Ghost B-B-Q sign for Berkeley Repertory Theatre and The Huntington Theatre's co-production of Clyde's by Lynn Nottage.
Scenic Charge: Lisa Lázár
Designer: Wilson Chin
In collaboration with: Katie Holmes
Plexiglass faux stained glass window.
Painted on 1.5x3' plexiglass, using crystal gel, Golden Fluid acrylics, and Nova Color texture paste.
Second coverage of dust/distressing.
Finished product.
Process photo of the tile.
Second coverage of dust/distressing.
Tile pool for Berkeley Repertory Theatre and The Goodman Theatre's production of the ripple, the wave that carried me home by Christina Anderson.
Scenic Charge: Lisa Lázár
Designer: Todd Rosenthal
Completed Rambo sign, with added dirt.
Completed Rambo sign, with added dirt.
Samples.
Completed Rambo sign, with added dirt.
Rambo Sign for Berkeley Repertory Theatre's Co-Production of Cambodian Rock Band by Lauren Yee.
Scenic Charge: Lisa Lázár
Designer: Takeshi Kata
Bree Murphy (left) as Mrs. Lovett and J. Michael Bailey as Sweeney Todd in the Utah Shakespeare Festival’s 2022 production of Sweeney Todd. (Photo by Karl Hugh. Copyright Utah Shakespeare Festival 2022.)
Process shot.
Distressed meat pies sign for Utah Shakespeare Festival's production of Sweeney Todd.
Painted on a 1.5x3 feet piece of masonite.
Designer: Linda Buchanan
Scenic Charge:
Featuring co-artist Janos Boon.
Untitled mural created in Villanova University Scene Shop.
Painted on three 4x8 foot panels of masonite using acrylic paint, laid out via grid.
Scenic Charge: Sharri Jerue
Agave: Tina Lynch. Costume design by Anna Sorrentino, set design by Sharri Jerue. Courtesy of Villanova Theatre.
Reproduction of painting of the goddess Hera for Villanova University's production of The Bakkhai Variations: Beginning by Jessica Bedford and directed by James Ijames..
Painted on a 14x18 inch canvas using acrylic paint and attached to a wood frame. Laid out via grid.
Villanova University Theatre Scene Shop Mural, "Scenic, Done It."
Painted on a 45x25 foot canvas using acrylic paint, laid out via grid.
Scenic Charge: Sharri Jerue
"No More Gasping For A Breath" Art Piece
3 hexagonal canvases attached by chains and screws. Contains acrylics, embroidery, beading, picture frames.
Final Project Master's Course: Staging Gender and Sexuality.
Highlights and shadows study based off historic wood panel
Made on a 30x25 inch piece of craft paper with pencil, charcoal, and chalk.
Trompe L'oeil of Roman column.
Made on a 6x6 foot canvas using acrylic paint.
